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Balintawak Eskrima, by Sam Buot
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Eskrima stick fighting is indigenous to the Philippines and in the 1950s one of the most popular styles emerged: Balintawak. To appreciate Anciong Bacon’s Balintawak Eskrima, you have to understand set-ups, anticipation, the art of outwitting through ruses and lures; economy and simplification of motion, sans lavish and squandered movements; effective strikes fused and bonded with speed, power, elegance and grace. That is the essence of Anciong’s Balintawak and these are the methods Sam Buot explains and demonstrates in this book.
Written from the author’s half-century of personal experience and hard-earned knowledge, Balintawak Eskrima presents the art from origin to modern times, as a fighting art, as cultural tradition and a means of personal development. Illustrated with nearly 700 historical and instructional photographs, this book is a must-have for all martial artists and those interested in the history of a people and their fight art.
Guro Sam Buot is the eldest surviving student of Anciong Bacon’s original Balintawak Eskrima group from Cebu, Philippines. He is a true enthusiast of Filipino martial arts and has served as unofficial historian of the Balintawak style, having studied under the tutelage of Grandmaster Venancio Bacon, Jose Villasin, Teofilo Velez and Teddy Buot since the late 1950s. At 78, Sam is now retired and teaches eskrima in his backyard in Phoenix, Arizona.
- Sales Rank: #212099 in eBooks
- Published on: 2016-02-03
- Released on: 2016-02-03
- Format: Kindle eBook
Review
“Balintawak Eskrima is arguably one of the more important treatise Tambuli has published.” —Jake Burroughs, The Ground Never Misses
“This book is a treasure trove of knowledge and a book which will be considered one of the best, if not the best, book on Balintawak.” —Steven K. Dowd, FMA Informative
“Sam Buot’s techniques and knowledge are direct from the masters. If there is anyone who can teach them to the world, it is Atty. Sam Buot.” —Bobby Taboada, Eskrima Grandmaster
“Sam Buot takes the reader on a journey into the belly of Balintawak. His narrative style is honest and compelling. One of my favorite FMA books!” —Mark V. Wiley, author of Filipino Martial Culture
Most helpful customer reviews
5 of 5 people found the following review helpful.
The best and most concise book written on the Balintawak Style ...
By Jerome C. Teague
HANDS DOWN, The best and most concise book written on the Balintawak Style of Eskrima/Arnis!
Balintawak is a highly sophisticated, close quarters, fast paced, and no non-sense form of the Filipino Martial Arts and self-defense. Although the system is principally weapons based, the speed, reflex, and dexterity training immediately translates to the empty hand fighting methodology. Author GM Sam Buot, a student in the original Balintawak club, provides readers with a detailed history and breakdown of the fundamental movements and principles at the core of the founder, GM Venancio Bacon's art. Whether you are a novice or advanced practitioner of Martial Arts seeking solid info on the Balintawak styles or Filipino Martial Arts in general, this book is for you!
3 of 3 people found the following review helpful.
The best book on Balintawak Arnis
By Melvin Orpilla
As a practitioner of Balintawak arnis under Grand Master Ver Villasin, the book read like a history of my family. Through his writings, Buot has lifted the veil of secrecy that has been a part of the lore of Balintawak. His intimate knowledge of the history of Balintawak, his personal friendships with Tatay Anciong Bacon and Jose Villasin, and his years of researching and teaching, makes Buot not only and expert, but also one of the best ambassadors of the art. Each chapter in the books covers a particular aspect of the art - from the basic 12 strikes to more advanced "offensive" techniques, both with a stick and empty-hand. His explanations are easy to follow and the photographs are well-done. The book shed light on some of the terms us American-born practitioners did not fully grasp. For most of its existence, Balintawak has not had the same popularity as other forms of Filipino Martial Arts (FMA), but this book will change that. Through this book, every FMA practioner can learn to appreciate not only Balintawak but their own style of martial arts.
2 of 2 people found the following review helpful.
A good addition to most FMA libraries
By Peter Huston
Balintawak is one of several styles of Filipino martial arts .* Like most, it is a comprehensive martial art that begins training uses a stick but also incorporates knife and empty hand techniques. Unlike many Filipino martial arts (FMA), however, in this art, practitioners practice with a single stick instead of a pair of double sticks. Aside from that, the art appears to be fairly typical.
This is a good 240 page book in which Sam L Buot, Sr, explains a great deal about Balintawak.
It is divided into different sections. Each section is done well.
The first section covers history and masters of Balintawak Eskrima. Although much of this is both fascinating and informative, in my opinion, it goes on longer than a typical reader would appreciate. My guess is that the author not only wished to show his appreciation for all who had taught him or taught those who taught him, but that he also wished to ensure that no one would feel slighted or be left out. Still a great deal of valuable information was presented on the social niche and transmission of this and other arts in the Philipines.
The next section is 13 pages long and discusses the foundation of the art, a system of 12 strikes.
The next three sections, called The Defensive Stage, The Offensive Stage, and a section entitled “Balintawak Interpreted: Application of Balintawak,” total 142 pages and cover a variety of techniques and applications of the art.
The bulk of the book is demonstrations of techniques. These are demonstrated well with clear text explanations and a reader and a training partner should be able to reproduce them reasonably well assuming they have enough grounding in the Filipino martial arts to see the basic principles on which they are built.
In conclusion, although there are portions of the book, that stretch on longer than most readers might wish, this is nevertheless a fine book that would make a welcome supplement to any Filipino martial arts practitioner’s library.
• Although the exact terminology is quite controversial these arts are often known as kali, arnis, or escrima, a term Mark Wiley prefers to spell as eskrima, with a K. Therefore, Balintawak could be said to be a sub-style of esrkima (escrima). The author, Sam L. Buot, Sr., makes it clear that he prefers to avoid the term kali, saying it is almost unknown in the Philipines.
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