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The New York Times film critic shows why we need criticism now more than ever
Few could explain, let alone seek out, a career in criticism. Yet what A.O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life. With penetrating insight and warm humor, Scott shows that while individual critics--himself included--can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative, and urgent activities of modern existence.
Using his own film criticism as a starting point--everything from his infamous dismissal of the international blockbuster The Avengers to his intense affection for Pixar's animinated Ratatouille--Scott expands outward, easily guiding readers through the complexities of Rilke and Shelley, the origins of Chuck Berry and the Rolling Stones, the power of Marina Abramovich and 'Ode on a Grecian Urn.' Drawing on the long tradition of criticism from Aristotle to Susan Sontag, Scott shows that real criticism was and always will be the breath of fresh air that allows true creativity to thrive. "The time for criticism is always now," Scott explains, "because the imperative to think clearly, to insist on the necessary balance of reason and passion, never goes away."
- Sales Rank: #40249 in Books
- Published on: 2016-02-09
- Released on: 2016-02-09
- Original language: English
- Number of items: 1
- Dimensions: 9.62" h x .97" w x 5.75" l, 1.04 pounds
- Binding: Hardcover
- 288 pages
Review
Maclean's Non-Fiction Bestseller
“In this book, as in his reviews, Scott’s voice is genial, reasonable and self-aware. He elucidates complex ideas with snappy language. He’s funny, but not cynical or snarky…. What he does especially well is explain how art develops and why our varied responses to it matter, pinpointing where criticism fits into the equation.” —Newsday
“Mr. Scott is very intelligent….What may matter more is that Mr. Scott is fun to read…[Scott] says that the simple questions—always with complex answers—that criticism poses are: ‘Did you feel that?’ ‘Was it good for you?’ ‘Tell the Truth.’ He reminds us that critical judgments, like art itself, demand intellectual and sensuous, even sexual, responses. Mr. Scott answers his own demands….”—Wall Street Journal
“Rousing and erudite.”—San Francisco Chronicle
“Witty and thoughtful…. Reading Scott's book is like watching the stiff-upper-lipped hero of a British 1940s thriller facing down his or her adversaries — modest, brave and utterly unflappable.”—LA Times
“If we were looking for an intelligent, informed and often funny account of why we can’t live comfortably with criticism (in any of the word’s meanings), and can’t live without it, either, we need look no further, and shall probably want to read this book more than once….”—New York Times
“Impassioned and deeply thoughtful ….Scott lays out a taxonomy of meaningful thought (and the meaning of thought itself)….His disciplined reasoning, impressive erudition, and deep commitment to his art (as he defines it) are never less than provocative and elegantly articulated. A zealous and well-considered work of advocacy for an art too often unappreciated and misunderstood.”—Kirkus
"This stunning treatise on criticism from New York Times film critic Scott is a complete success, comprehensively demonstrating the value of his art...a necessary work that may enter the canon of great criticism." - Publisher's Weekly starred review
About the Author
A. O. Scott joined The New York Times as a film critic in January 2000. Previously, Mr. Scott was a Sunday book reviewer for Newsday and a frequent contributor to Slate, The New York Review of Books, and many other publications. He has served on the editorial staffs of Lingua Franca and The New York Review of Books. In addition to his film-reviewing duties, Mr. Scott often writes for the Times Magazine and the Book Review. He lives with his family in Brooklyn, N.Y.
Most helpful customer reviews
42 of 42 people found the following review helpful.
Absolutely brilliant and sparkling with abundant common sense
By howiesan
Absolutely brilliant and sparkling with abundant common sense, rare characteristics among literary critics today. For ever and ever, I have read Scott's movie reviews (the most literate and literary of the last twenty years or so), and have learned so much for my own work as a formerly academic critic of Latin American literature. This book inverts his habitual process, going from the literary to cinema, art, food and just about all social aspects that demand criticism. As always, he is direct, wittily funny, does not suffer political correctness lightly, and relays a goodness of spirit that is so absent at a time when many intellectual types have a "narrative" to which they do no justice. Thank you Mr. Scott, I have never waited so anxiously for a pre-ordered book, and "The Trouble with Critics" chapter should be the proverbial required reading and be included in every anthology of criticism. Sorry jargon mongers, after this book you need to think and get a life.
19 of 20 people found the following review helpful.
He also has an excellent chapter on what makes for poor criticism (the promiscuous ...
By olingerstories
If you are seeking A.O. Scott's wisdom on select films from his fifteen years as movie critic of the NYTimes, this isn't the book for you. It is more Scott's philosophical ramblings on what criticism is. He has some interesting insights on how criticism is the triumph of Kant's categorical imperative. The good and the true must establish themselves without leaning on preexisting authorities. He also has an excellent chapter on what makes for poor criticism (the promiscuous hurling of adjectives, the fallacy of the decoy intransitive, etc.). He is a fan of H.L. Mencken's guidelines for criticism, and there is a interesting section on Frank Nugent, a film critic who ended up penning Ford's THE SEARCHERS.
Scott writes well, and the book is interesting, but does read at points like a two-part NEW YORKER series that could have been done just as well in one. Still, he makes one think and he does provide insight into why he writes the way that he does.
7 of 8 people found the following review helpful.
Better reading through "Better Living Through Criticism"
By Judith Kegan Gardiner
Witty, wise, carefully crafted, genial and thought-provoking. The chapter "How To Be Wrong" is especially right, and who can help envying Scott's mastery of the rhetorical question?
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